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Amer
Directed by
Hélène Cattet
,
Bruno Forzani
Not Rated
2010
90m
Thriller
,
Horror
,
and more
6.1
79%
53%
6.2
Add to Watchlist
As a young girl Ana was a rebellious child. She was also tormented by images of death and a shadowy, ominous figure in black. Now an adult, she is once again tormented by shadowy, other-worldly forms.
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Where to Watch Amer
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Cast of Amer
Cassandra Forêt
Young Ana
Charlotte Eugène Guibeaud
Teenage Ana
Marie Bos
Adult Ana
Biancamaria D'Amato
The Mother
Harry Cleven
The Taxi Driver
Jean-Michel Vovk
The Father
Bernard Marbaix
The Dead Grandfather
Thomas Bonzani
Nono
François Cognard
The Silhouette / Producer
Delphine Brual
Graziella
Jean Secq
The Grocer
Béatrice Butler
The Grocer
Charles Forzani
The Farmer / The Man with the Red Car
Benjamin Guyot
Garbage Collector
Yves Fostier
Scavenger
Francesco Italiano
The Embalmer
Henriette Raimondé
The Old Lady Behind the Curtain
Christophe da Silva
Biker
André Francol
Biker
Nicolas Léandri
Biker
Amer Ratings & Reviews
Vague Visages
Soham Gadre
This is probably why Cattet and Forzani only make a movie every four years. The wait is certainly worth the payoff.
From the Front Row
Mattie Lucas
A delirious, strangely erotic journey into the darkest recesses of the mind, and one of the most intelligent and original horror films to come along in years.
That Shelf
Shelagh Rowan-Legg
These directors succeed by creating a film which needs no plot in order to keep the viewer haunted and fascinated.
PopMatters
Sarah Boslaugh
... those willing to immerse themselves in the film's own peculiar sensibility (never before has the connection between horror films and pornography been more obvious) will find it to be a rewarding, if also disturbing, experience.
Lessons of Darkness
Nick Schager
Duplicates the style and hothouse psychosexual passions of its '70s predecessors with such self-consciousness that little unsettling emotion emerges.
Brand X
Andy Klein
[T]hey have re-created, in exaggerated form, the virtues and vices of '70s/'80s Italian giallos...
Shared Darkness
Brent Simon
A woozy, deeply eroticized and entirely cinematic fever-dream, an homage to Italian giallo re-imagined as a sort of avant-garde, French rave trance film.
New York Times
Stephen Holden
A voluptuous wallow in recycled psychosexual kitsch.
Los Angeles Times
Kevin Thomas
A bravura exploration of fear and desire, a visual tour de force composed of cropped images, strobe cuts, bizarre psychological twists and a steamy sensuality.
Filmcritic.com
Chris Cabin
a hallucinatory creeper
Movieline
Stephanie Zacharek
Unsettling, energizing and more than a little mystifying, Amer is the kind of movie that may leave you feeling indifferent or puzzled at the end. But damned if it doesn't return, days later, to visit -- kind of like a killer in black leather gloves.
Film Journal International
Maitland McDonagh
Were Amer ("bitter") a mass-market movie, it would be polarizing. But it's aimed squarely at fans of the baroque, 1970s-era Euro-thrillers known as gialli, and within that small but loyal niche demographic it's a sure thing.
Village Voice
Ella Taylor
The pleasures of this gorgeous, clever, and visceral film are almost exclusively aesthetic. Those unmoved or alienated by the porn of pain may be left flopping as nervelessly as one of the movie's severed limbs.
Cinema Crazed
Felix Vasquez Jr.
A marvelous work of moving art, and one I suggest for film students and cineastes alike...
Slant Magazine
Ed Gonzalez
This kaleidoscopic freak show, indebted as much to Argento and Bava as it is to Cronenberg, Deren, and Brakhage, is a study in sexual cause and effect.
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