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Anna
Directed by
Luc Besson
R
2019
1h 59m
Thriller
,
Action
,
and more
6.7
34%
81%
6.7
Add to Watchlist
Beneath Anna Poliatova's striking beauty lies a secret that will unleash her indelible strength and skill to become one of the world's most feared government assassins.
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Where to Watch Anna
Apple TV
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YouTube
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Cast of Anna
Sasha Luss
Anna
Helen Mirren
Olga
Luke Evans
Alex Tchenkov
Cillian Murphy
Lenny Miller
Lera Abova
Maude
Alexander Petrov
Piotr
Nikita Pavlenko
Vlad
Anna Krippa
Nika
Aleksey Maslodudov
Jimmy
Éric Godon
Vassiliev
Ivan Franěk
Mossan
Jean-Baptiste Puech
Samy
Adrian Can
John
Alison Wheeler
Dorothée
Andrew Howard
Oleg
Jan Oliver Schroeder
Frederick
Louise Parker
Sonia
Sasha Beliaeva
Petra
Greta Varlese
Renata
Lauren de Graaf
Inge
Anna Ratings & Reviews
Detroit News
Adam Graham
[Besson is] riffing on spy movies and their inherent double crosses and triple crosses, stopping just short of parody but letting the audience in on the trick. And thanks to Besson and a willing cast, the trick's a pretty good one.
Common Sense Media
Jeffrey M. Anderson
Writer/director Luc Besson returns with another action movie that prizes swift economy and slick entertainment over depth and meaning, but centers on a powerful, strong leading woman.
Punch Drunk Critics
Travis Hopson
The same as numerous hot chick assassin movies Besson has done in an attempt to recapture what he found with 1990's iconic La Femme Nikita
Midwest Film Journal
Nick Rogers
The twists are less risible than in Atomic Blonde or Red Sparrow. But it's what the twists come to stand for that starts to make it feel like Luc Besson is trying to represent himself in court and be his own character witness.
We Live Entertainment
Fred Topel
Anna is nothing Luc Besson hasn't done before, but he does what he does well. It's a strong vehicle for Luss to be an action hero, and if you're going to do a tried and true genre, you might as well let Luc Besson go bananas with it.
Crooked Marquee
Eric D. Snider
Most of it's bland, formulaic espionage nonsense with Google-translated dialogue, ungainly attempts at comedy, and Besson's leering gaze.
Cinemalogue
Todd Jorgenson
As it jumps back and forth between settings, the jumbled chronology seems like a manipulative gimmick designed mainly to disguise the lack of intrigue in the plot.
AV Club
Ignatiy Vishnevetsky
But unlike Besson's bugnuts, energetically dopey Scarlett Johansson vehicle Lucy, Anna is more invested in winking at the audience than being fun.
TheWrap
William Bibbiani
Watching Anna brings with it a profound sense of déjà vu. If only anything else about it was profound.
Pajiba
Roxana Hadadi
Luc Besson's Anna subsists by imitating better contemporaries (Atomic Blonde, namely) and wrapping up all of its convoluted plotting and boring sex scenes with a faux-feminist bow.
IndieWire
David Ehrlich
The gunplay in Anna grows repetitive before long, and the heroine's invincibility feels like a cheap substitute for the power that Besson wields over her.
That Shelf
Joe Lipsett
...the nearly two hour film sinks under the weight of its familiar narrative, its bland leading lady and, in a shockingly ill-advised creative decision, a script that relies on no less than four or five narrative-clarifying flashback time jumps
New York Times
Bilge Ebiri
Over and over, the film proceeds down one narrative path, then jumps back as each twist reveals a new, hidden thread. Besson keeps the story and action clear while deftly slipping in minor details that prove crucial later on.
Variety
Peter Debruge
Besson is the same filmmaker now that he was 20 years ago, and unlike his title character, who lithely adapts to whatever situation she's in, he's been telling roughly the same story over and over all this time. The thing is, he's great at it...
The Beat
Edward Douglas
As empowering as the story might be at times, it's confounding how the movie drags on for long periods of time, taking away from the more entertaining moments.
RogerEbert.com
Peter Sobczynski
Even long-standing fans of [Besson's] will find it hard to muster much enthusiasm for this startlingly lazy bit of by-the-numbers hackwork.
Los Angeles Times
Noel Murray
The film falters when it tries to be an aspirational tale, about a woman tired of being shuffled from one "grey box" to another, and who's exhausted by the piggish fashion photographers and demanding spy-masters who dominate her days.
JoBlo's Movie Network
Chris Bumbray
Derivative but still kinda fun.
The Hollywood Reporter
John DeFore
This assassin shoots blanks.
Mark Reviews Movies
Mark Dujsik
Anna is more a template for the concept of a spy thriller than an actual one.
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