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Annie Hall
Directed by
Woody Allen
PG
1977
1h 33m
Comedy
,
Drama
,
and more
7.9
97%
92%
7.7
Add to Watchlist
Alvy Singer, a divorced Jewish comedian, reflects on his relationship with ex-lover Annie Hall, an aspiring nightclub singer, which ended abruptly just like his previous marriages.
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Cast of Annie Hall
Woody Allen
Alvy Singer / Director / Writer
Diane Keaton
Annie Hall
Tony Roberts
Rob
Carol Kane
Allison
Paul Simon
Tony Lacey
Shelley Duvall
Pam
Janet Margolin
Robin
Colleen Dewhurst
Mrs. Hall
Christopher Walken
Duane Hall
Donald Symington
Dad Hall
Helen Ludlam
Grammy Hall
Mordecai Lawner
Alvy's Dad
Joan Neuman
Alvy's Mom
Jonathan Munk
Alvy - Age 9
Ruth Volner
Alvy's Aunt
Martin Rosenblatt
Alvy's Uncle
Hy Anzell
Joey Nichols
Rashel Novikoff
Aunt Tessie
Russell Horton
Man in Theatre Line
Marshall McLuhan
Marshall McLuhan
Annie Hall Ratings & Reviews
New York Magazine/Vulture
John Simon
Allen is easily our most literate comic, and may just be our most comic littérateur, as readers of his humorous sketches know. But his new film is painful in three separate ways: as unfunny comedy, poor moviemaking, and embarrassing self-revelation.
Newsweek
Janet Maslin
Annie Hall is bracingly adventuresome and unexpectedly successful, with laughs as satisfying as those in any of Allen's other movies and a whole new staying power.
Los Angeles Times
Charles Champlin
Annie Hall is not only Allen's newest film, it is also his best. It seems the most directly and obviously autobiographical.
Chicago Tribune
Gene Siskel
No question about it: Annie Hall takes a whack at bright people in conflict. It's very serious about its comedy.
Arizona Republic
Mike Petryni
Annie Hall, his intensely felt, hilariously realized film about his own love affair with actress Diane Keaton, is Allen's masterpiece and it's a masterpiece among comedy films.
Boston Globe
Bruce McCabe
I could easily consume the rest of this space quoting from Annie Hall, which is, the more I think about it, as close to a work of cinematic art as I've seen in ages.
Detroit Free Press
Susan Stark
It is Allen's funniest and most satisfying screen work to date.
Fort Worth Star-Telegram/DFW.com
Elston Brooks
[The one-liners] go by too often, too fast, leaving the delightfully dazed reviewer -- and viewer -- knowing only that they have seen a superior comedy as well as a superb film
Orlando Sentinel
Sumner Rand
Annie Hall is, without a doubt, Woody Allen's funniest and most fully realized motion picture to date, a "now" film for today's sophisticates.
Philadelphia Inquirer
Desmond Ryan
While the outlines of Annie Hall are simply structured to permit such inventions without obtrusion, its quality is really established by the painful level of honesty in it.
St. Louis Post-Dispatch
Joe Pollack
The presence of the marvelously talented Diane Keaton, in the title role, helps make Annie Hall so successful. She is such a perfect contrast to Allen, the ideal Galatea to his Pygmalion.
Associated Press
Bob Thomas
Autobiographical ? No matter. Allen is in superior form , tossing absurd insights and profound nonsense like tree blossoms in the spring wind.
Washington Post
Gary Arnold
A soft, fuzzy, mildly diverting letdown.
The Hollywood Reporter
Arthur Knight
Woody Allen fans will buy it 100%. Never before has the diminutive comedian been so urbane, so open - so funny. And with lovely Diane Keaton as consort, it becomes well-nigh irresistible (especially if you find Keaton as well-nigh irresistible as I do).
New York Daily News
Kathleen Carroll
Allen (as a result of his exposure to Bergman, perhaps) has greatly matured as a filmmaking talent. Annie Hall is, by far, his most sophisticated, most emotionally complex film.
The New Yorker
Richard Brody
Allen joins the Catskills tummler's anything-for-a-laugh antics with a Eurocentric art-house self-awareness and a psychoanalytic obsession in baring his sexual desires and frustrations, romantic disasters, and neurotic inhibitions.
Slant Magazine
Jaime N. Christley
Woody Allen's classic comedy has one opening scene after another, never seeming to run short of prologues and prefaces.
TIME Magazine
Richard Schickel
Personal as the story he is telling may be, what separates this film from Allen's own past work and most other recent comedy is its general believability.
Variety
Joseph McBride
A touching and hilarious love story that is Allen's most three-dimensional film to date.
Chicago Reader
Dave Kehr
Visually and structurally it's a mess, but many of the situations are genuinely clever, and there are plenty of memorable gags.
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