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Don't Move
Directed by
Brian Netto
,
Adam Schindler
R
2024
1h 32m
Horror
,
Thriller
,
and more
5.8
75%
40%
6.3
Add to Watchlist
A seasoned killer injects a grieving woman with a paralytic agent. She must run, fight and hide before her body shuts down.
More
Where to Watch Don't Move
Netflix
Subscription
Netflix Standard with Ads
Subscription
Cast of Don't Move
Kelsey Asbille
Iris
Finn Wittrock
Richard
Moray Treadwell
Bill
Daniel Francis
Dontrell
Denis Kostadinov
Mateo
Kate Nichols
Young Mom
Skye Little Wing Dimova-Saw
Boy
Dylan Beam
Daughter (voice) (uncredited)
Sarah Sarandos
Selfie Girl (uncredited) / Producer
Zainab Azizi
Selfie Girl (uncredited) / Producer
Brian Netto
Director / Executive Producer
Adam Schindler
Director / Executive Producer
T.J. Cimfel
Writer
David White
Writer
Petr Jákl
Executive Producer
Christian Mercuri
Executive Producer
David Haring
Executive Producer
Marc Manus
Executive Producer
Sam Raimi
Producer
Alex Lebovici
Producer
Don't Move Ratings & Reviews
San Jose Mercury News
Randy Myers
If you want a taut guilty pleasure, this'll do the trick.
Pajiba
Dustin Rowles
It's ultimately disposable, crafted to snare attention for a quick streaming peak before fading into oblivion -- unlikely to be remembered, referenced, or missed ever again when it inevitably falls off the charts after a week.
Common Sense Media
JK Sooja
Simple but interesting premises can sometimes make for decent films. The premise of Don't Move fits in this category.
Austin Burke/Flick Fan Nation
Austin Burke
There is often beauty in simplicity, and that is the ultimate takeaway from this Raimi-produced thriller. Don't Move keeps it simple, occasionally substituting depth for adrenaline, but it does enough to justify its existence.
Decider
John Serba
Don't Move is a little better than just fine. It's a reasonably tight and effective thriller, and a rock-solid debut from Netto and Schindler.
FandomWire
Matt Hambidge
With a thin script and even thinner characters, the themes laid out at the beginning never fully come together.
Polygon
Oli Welsh
It's, well, a film about how scary it would be not to be able to move, just like it says in the title. And sometimes that kind of efficient delivery on expectations is all you really need.
Variety
Peter Debruge
Conspicuously subpar...
IndieWire
David Ehrlich
This is the kind of movie where nobody acts like a real person, and it's also the kind of movie where you wouldn't want them to.
Deadline Hollywood Daily
Pete Hammond
Treadwell, and later Daniel Francis as a cop, are both effective in their supporting roles, but this is basically a two-fer, and Asbille and Wittrock make this B-Picture-type genre entry entirely watchable for its tight 92-minute running time.
In Review Online
Matt Lynch
It's effective enough to paper over the parts that beggar plausibility in favor of momentum and surprise, and it's buoyed by a couple of sturdy performances.
Talking Films
Casey Chong
A decent Sam Raimi-produced high-concept horror-thriller featuring Kelsey Asbille and Finn Wittrock's solid performances.
InSession Film
M.N. Miller
The new horror thriller Don't Move may not have the gravitas or sheer dread of others in the genre of 2024, but it's undeniably effective
But Why Tho?
Charles Hartford
Don't Move delivers on everything it sets out to. It crafts a unique scenario that it fluidly utilizes to create tension through unique moments.
Screen Rant
Ben Gibbons
Don't Move creates a beautiful parallel between the vast expanse of the outdoors and the claustrophobia of a woman trapped in her own body.
The Only Critic
Nate Adams
While contrived, "Don't Move" is a solid streaming release that revels in its own unique premise.
TheWrap
William Bibbiani
The film's greatest value is as an exploration of filmmaking minutiae, an earnest attempt to do something new by shifting the perspective on something old.
Movie Files
Elliott Collins
This is an engaging yet flawed entry in the horror/thriller genre. It succeeds in creating an atmosphere filled with tension and suspense, anchored by the strong performances of its lead actors.
RogerEbert.com
Robert Daniels
"Don't Move" also suffers from bad VFX, a hyperactive score, and an inability to craft the kind of tense mood necessary for a thriller like this to work.
Bloody Disgusting
Meagan Navarro
A thriller that never leaves the safety of its well-trodden path. Much like its paralyzed lead, Don't Move is inert.
Watch Don't Move Videos
Don't Move
Don't Move
Trailer
Don't Move (Trailer 2)
Don't Move (Trailer 2)
Trailer
Can Iris Escape?
Can Iris Escape?
Scene
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