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Gilda
Directed by
Charles Vidor
Not Rated
1946
1h 50m
Drama
,
Romance
,
and more
7.6
90%
88%
7.5
Add to Watchlist
A small-time gambler hired to work in a Buenos Aires casino discovers his employer's new wife is his former lover.
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Cast of Gilda
Rita Hayworth
Gilda
Glenn Ford
Johnny Farrell
George Macready
Ballin Mundson
Joseph Calleia
Det. Maurice Obregon
Steven Geray
Uncle Pio
Joe Sawyer
Casey
Gerald Mohr
Capt. Delgado
Mark Roberts
Gabe Evans
Ludwig Donath
German Cartel Member
Donald Douglas
Thomas Langford
Julio Abadía
Newsman / Waiter (uncredited)
Enrique Acosta
Gambler (uncredited)
Ed Agresti
Nightclub Patron (uncredited)
Sam Appel
Blackjack Dealer (uncredited)
Sam Ash
Gambler (uncredited)
Nina Bara
Girl at Carnival (uncredited)
Edward Biby
Gambler (uncredited)
Robert Board
American Cartel Member (uncredited)
Symona Boniface
Gambler at Roulette Table (uncredited)
Eugene Borden
Blackjack Dealer (uncredited)
Gilda Ratings & Reviews
Detroit Free Press
Helen Bower
Heralded as a new team in motion pictures, Rita Hayworth and Glenn Ford are off to a flying start in Gilda.
San Francisco Examiner
Hortense Morton (Screen Scout)
Completely disregarding the very obvious and eye-appealing fact, that Rita Hayworth is one of the world's most beautiful women, we are going to award her our personal accolade for also being one of the most dynamic and distinguished actresses.
New York Daily News
Kate Cameron
If it's escape you want in a movie, you will find surcease from the worry of today's scary headlines at the Music Hall, where Rita Hayworth and Glenn Ford are pitted against each other in a lusty battle of hate and love.
Fort Worth Star-Telegram/DFW.com
Eleanor Wilson
The captivating Miss Hayworth turns in what is perhaps her best performance as the reckless Gilda.
Philadelphia Inquirer
Mildred Martin
Not since the archaic days of Theda Bara and her brazen ilk has sex appeal been set forth in so rampant a fashion on the screen.
Chicago Tribune
Mae Tinee
Staggering around with this plot on their shoulders, the players, all of them competent, have a lot of trouble being convincing, particularly with the dialogue provided.
Motion Picture Herald (Exhibitors Herald)
William R. Weaver
A sumptuously sordid story about crime, major and minor, in Buenos Aires.
Baltimore Sun
Donald Kirkley
[Gilda] is a confused, preposterous fable, akin, we fancy, to the phantasms conjured up in a marihuana dream.
Miami Herald
George Bourke
It's really good pulse-tingling cinema presented in good adult taste but there are sequences from which adolescents might draw the conclusion that all that shimmers is not heavenly light.
Kansas City Star
Bill Vaughn
A South American melodrama rather fuzzy as to plot but with some excellent acting and a few effective scenes.
Los Angeles Times
Edwin Schallert
It's a whizzer, this one just the sort of movie, spelled capital MOVIE that can't miss, because it's got nearly everything.
Boston Globe
Marjory Adams
This reviewer is completely baffled as to... what happened during the picture, and what the whole idea was. But maybe it was because she was just so overwhelmed by the astounding characterization of Rita Hayworth in the title role.
Washington Star
Harry MacArthur
It has been a long time since so many handsomely dressed people became involved in so unpolished a romance for the delight of those who go to the movies.
Harrison's Reports
P.S. Harrison
Credit is due Charles Vidor for his expert direction, for, despite the bewildering and somewhat pointless script, he has given to the proceedings a sense of excitement and suspense that grips the spectator from start to finish.
New York Times
Bosley Crowther
Despite close and earnest attention to this nigh-onto-two-hour film, this reviewer was utterly baffled by what happened on the screen. To our average register of reasoning, it simply did not make sense.
Brooklyn Daily Eagle
Herbert Cohn
Beyond the characters, there is little to make Gilda as distinguished a movie as it pretends to be.
The Film Daily
Film Daily Staff
Commotion, excitement and glamour are to be found in abundance in an offering that uses tested melodramatic ingredients to good purpose and sustains the suspense satisfactorily.
Chicago Reader
Jonathan Rosenbaum
Hayworth, whether she's performing "Put the Blame on Mame" (dubbed by Anita Ellis) or just being her glamorous self, was never more magnificent.
Gone With The Twins
Mike Massie
Late in the film, Hayworth additionally receives a few minutes to do more than one musical number, which only drags things out further.
Variety
Variety Staff
Practically all the s.a. habiliments of the femme fatale have been mustered for Gilda, and when things get trite and frequently far-fetched, somehow... there is always Rita Hayworth to excite the filmgoer.
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