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Grass
Directed by
Hong Sang-soo
2019
66m
Drama
6.8
92%
68%
6.6
Add to Watchlist
In a small Café, Min-hee Kim plays a guest who prefers to observe but not interact with the other guests herself.
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Where to Watch Grass
Amazon Video
Buy $9.99
Apple TV
Buy $9.99
Fandango At Home
Buy $9.99
Cast of Grass
Kim Min-hee
Ahreum
Jung Jin-young
Kyungsoo
Ki Joo-bong
Changsoo
Seo Young-hwa
Sunghwa
Kim Sae-byuk
Jiyoung
Ahn Jae-hong
Hongsoo
Gong Min-jeung
Mina
Shin Seok-ho
Jinho / Assistant Director
Kim Myung-soo
Jaemyung
Lee You-young
Soonyoung
Han Jae-yi
Yeonju
Kang Tae-u
Hanbok Man / Assistant Director
Hong Sang-soo
Director / Writer / Producer
Kim Hyung-koo
Director Of Photography
Kim Hyeong-hui
Digital Intermediate
Son Yeon-ji
Editor
Kim Hyung-hee
Colorist
Kim Mir
Sound
Seo Ji-hoon
Sound Recordist
Joyce Heeyoung Cho
Production Manager
Grass Ratings & Reviews
Chicago Reader
Ben Sachs
At this point it feels as though Hong can create a lovely composition or reach psychological insights offhandedly-the films successfully translate his carefree filmmaking process into narrative form.
Film Inquiry
Soham Gadre
Hong Sang-soo's Grass is a movie defined through its visual cues and their intimate dance with the words that try to define them.
The Cinessential
C.J. Prince
There's more fun to be had with the contradictions Hong can bring up and explore in the span of one hour than what most other films can muster up with two.
The CriterionCast
Joshua Brunsting
Hong Sang-soo returns with his 22nd film, a masterpiece that turns a simple, almost theater-like premise into an ambulatory rumination on life and death.
From the Front Row
Mattie Lucas
Takes snippets of overheard conversations and turns them into something wonderful and new, a summation of life's tiny moments made disarmingly momentous.
Always Good Movies
Filipe Freitas
[Sang-soo] still didn't run out of narrative possibilities within the breezy, light fluency that characterizes his filmmaking style.
Los Angeles Times
Justin Chang
"Grass," true to its title, is small, sharp and bladelike.
Battleship Pretension
Scott Nye
Like most of Hong's work, there isn't much of a lesson or conclusion to anything, and we're left to make our own assumptions the way Areum does.
RogerEbert.com
Simon Abrams
One of the best expressions/variations on Hong's usual formula.
New York Times
Glenn Kenny
This movie, like most of Hong's others, doesn't pass judgment on its largely passive protagonist. In fact, it suggests that observing the people that pass through one's sight and hearing is an entirely valid mode of living.
AV Club
Lawrence Garcia
By the end of the film, Areum is forced to reckon with the very people she so casually, even callously inserted into her writing.
The New Yorker
Richard Brody
Hong turns the café and its narrow alley into a graveyard of emotion. With a disturbing simplicity, he maps a passing vortex of pain onto bare and banal places and, in the process, rescues it from oblivion.
Unseen Films
Nathanael Hood
Watching Grass is the cinematic equivalent of chewing raw tofu--perhaps good for you, but entirely flavorless.
Slant Magazine
Chuck Bowen
With Grass, Hong has taken the familiar elements of his work and exploded them, fashioning a kind of lonely cinematic cubism.
MUBI
Daniel Kasman
Whatever state of existence Grass is taking place on, one thing is for certain: It's Hongian playfulness of surprisingly soulful intrigue.
Variety
Jessica Kiang
The black-and-white "Grass" is a deceptively potent entry in the canon, a thimbleful of purest, concentrated Hong-brand soju.
IndieWire
David Ehrlich
Much less consistently enjoyable than many Hong films twice its length, Grass compensates for its dramatic slackness and deviant sobriety by honing in on the ideas that its director's work often skirts around.
The Film Stage
Rory O'Connor
Hong is generally at his best when examining how men and women interact and this setting allows him to once again put those subtleties and idiosyncrasies at the front of his lens or, perhaps more accurately, under his microscope.
The Playlist
Bradley Warren
For all the artists that populate Hong Sang-soo's cinematic universe, the director has yet to foreground the creative psyche in as thought-provoking of a manner as he does in "Grass."
The Hollywood Reporter
Deborah Young
The choice to shoot in unspectacular black and white and in uninterrupted long takes (par for Hong's course) brands it as mainly for the fan club, whose ranks seem to grow with every new addition.
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