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Heading South
Directed by
Laurent Cantet
Not Rated
2006
1h 48m
Drama
,
Romance
6.3
70%
46%
5.4
Add to Watchlist
Three female tourists have their eyes opened while visiting the poverty-stricken and dangerous world of 1980s Haiti.
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Where to Watch Heading South
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Cast of Heading South
Charlotte Rampling
Ellen
Karen Young
Brenda
Louise Portal
Sue
Ménothy Cesar
Legba
Lys Ambroise
Albert
Jackenson Pierre Olmo Diaz
Eddy
Wilfried Paul
Neptune
Laurent Cantet
Director / Screenplay
Robin Campillo
Screenplay / Editor
Dany Laferrière
Novel
Carole Scotta
Producer
Simon Arnal
Producer
David Reckziegel
Producer
John Hamilton
Producer
Caroline Benjo
Producer
Valérie Lonergan
Producer
Franckie Diago
Production Design
Pierre Milon
Director Of Photography
Denis Sperdouklis
Costume Design
Jennifer Curaba
Makeup Artist
Heading South Ratings & Reviews
Austin Chronicle
Marjorie Baumgarten
Heading South opens up a fascinating world of complexities, some of which are there on the screen although others open up only once the horizon line moves past the screen's edge.
Atlanta Journal-Constitution
Steve Murray
Exploring female desire in a way films rarely do, Heading South is a film of sometimes subtle, sometimes blunt metaphors for the interaction of rich and pauperized countries.
San Francisco Chronicle
Mick LaSalle
The film offers something unusual, a tragic spectacle of normal, recognizable and utterly sympathetic people condemning themselves.
Seattle Times
Tom Keogh
An unsettling drama by the director of two other remarkable films about class illusions, Human Resources and Time Out.
Arizona Republic
Kerry Lengel
The movie avoids devolving into polemic by treating its characters as individuals.
Washington Post
Stephen Hunter
In its way, the film is a piercing indictment, though it makes its point without much screaming, hectoring or preening. It's quietly terrific.
Chicago Tribune
Michael Wilmington
At 60, with three 2006 releases in the can, Rampling still seems an international treasure, a great camera subject and a truly daring actress.
Philadelphia Inquirer
Steven Rea
Boasts another formidable and fine-tuned performance from the great Charlotte Rampling.
Boston Globe
Ty Burr
A nervy but muddleheaded work ... with sharply unpleasant things to say about the First World's moral strip-mining of the Third but an overly tactful way of saying them.
Wall Street Journal
Joe Morgenstern
Cantet's fascinating, troubling drama has many meanings.
Los Angeles Times
Carina Chocano
The women are meant to level the emotional playing field and add depth to what is, at heart, a story about the exploitation of poor nations by rich and powerful ones. But they wind up being too bitter and unstable to elicit much sympathy.
L.A. Weekly
Ella Taylor
Heading South is an absorbing extension of Cantet's abiding obsession with the seeding of political inequality in intimate relations.
Observer
Rex Reed
The film is too slow for my taste, but for perfectly formed characters and authentic human conflict, Heading South is beautifully written, carefully photographed and eventually devastating.
Entertainment Weekly
Lisa Schwarzbaum
What is surprising is the delicacy with which Rampling and Cantet -- himself better known as a chronicler of men -- create a character of such potent feminine hunger.
Salon.com
Stephanie Zacharek
Heading South is a seemingly straightforward and simple picture that's really defiantly complex, sexually, politically and emotionally.
New York Post
Kyle Smith
A powerful cocktail of not just sex and love but race, poverty, colonialism and jealousy.
New York Daily News
Jack Mathews
A well-acted but misguided tale of displaced sexual longing on the beaches of Baby Doc Duvalier's 1970s Haiti.
Christian Science Monitor
Peter Rainer
The new film by Laurent Cantet (Human Resources and the masterpiece Time Out) is evocative and disturbing.
New York Times
Stephen Holden
Laurent Cantet's devastating new film contemplates the darker social undercurrents beneath a seemingly benign example of sexual tourism. examination of middle-age desire.
AV Club
Noel Murray
But though the women talk a lot about the soul-changing effects of great sex, Cantet largely steers clear of cinematic sensuality, making his heroines' satisfaction -- and the way it exploits the poor -- primarily theoretical.
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