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Human Capital
Directed by
Paolo Virzì
Not Rated
2013
1h 51m
Drama
,
Crime
7.2
81%
77%
7.4
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The destinies of two families are irrevocably tied together after a cyclist is hit off the road by a jeep in the night before Christmas Eve.
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Where to Watch Human Capital
Hoopla
Free
The Roku Channel
Free
Film Movement Plus
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+6 more
Cast of Human Capital
Valeria Bruni Tedeschi
Carla Bernaschi
Fabrizio Bentivoglio
Dino Ossola
Valeria Golino
Roberta
Fabrizio Gifuni
Giovanni Bernaschi
Luigi Lo Cascio
Donato Russomanno
Giovanni Anzaldo
Luca Ambrosini
Matilde Gioli
Serena Ossola
Guglielmo Pinelli
Massimiliano Bernaschi
Gigio Alberti
Giampi
Bebo Storti
Ispettore
Paolo Pierobon
Zio Davide
Silvia Cohen
Adriana Crosetti
Gianluca Di Lauro
Fabrizio, il ciclista
Stefano Fiorentino
Amico e socio di Bernaschi
Fulvio Milani
Altro amico di Bernaschi
Vincent Nemeth
Avv. Gérard Pierret
Francesca Lancini
Florence, assistente di Bernaschi
Nicola Centonze
Jean-Louis, assistente di Bernaschi
Pia Engleberth
Sig.ra Ester
Isabelle Tanakil
Sig.ra Pierret
Human Capital Ratings & Reviews
Reel Talk Online
Candice Frederick
the film is so gripping, so mounting in its suspense that even as you struggle to keep together all its intertwining stories, you can't look away.
Chicago Sun-Times
Patrick Z. McGavin
The film is further undone by an overwrought ending and toneless conclusion that proves too soft to energize the movie's implied though underdeveloped social critique.
Chicago Reader
J. R. Jones
Valeria Bruni Tedeschi contributes an affecting performance as the rich boy's spiritually bereft mother, whose self-worth has been smothered by luxury.
Washington Post
Ann Hornaday
With its stylish lines and creamy production values, "Human Capital" combines the luxurious look of a classic wish-fulfillment fantasy with a stinging critique of capitalism's excesses and psychic costs.
Arizona Republic
Randy Cordova
In "Human Capital," the destinies of two Italian families become intertwined after a hit-and-run accident in which the victim is a waiter.
Boston Globe
Peter Keough
Though it initially shows signs of overcoming its creakiness, "Capital" loses value when its screenwriters try too hard to be clever.
San Diego Reader
Matthew Lickona
La Dolce Vita - never actually all that sweet - gone properly sour.
Los Angeles Times
Sheri Linden
The haves and the wanna-haves mingle, anxious and wary, in Paolo Virzi's sharply observed Human Capital.
NPR
Tomas Hachard
Human Capital's principled outrage against the wealthy is overwhelming. But it's not particularly useful ...
New York Post
Kyle Smith
Melding a morality play with a glossy soap, Italy's "Human Capital" is a fairly successful balance of entertainment and ideas.
San Francisco Chronicle
David Lewis
The deft editing makes all this easy to follow, and the strong ensemble cast, not to mention the unpredictable story, keeps us engaged.
AV Club
Mike D'Angelo
Part of the problem with this particular mode of storytelling, which has become quite fashionable in recent years, is that it imposes a clunky guessing game on the viewer: What's My Theme?
RogerEbert.com
Matt Zoller Seitz
This ensemble drama about troubled upper-middle class strivers is slick, confident, and rather empty, and structurally more self-defeating than clever.
New York Times
Manohla Dargis
It's all handsomely managed, polished and professional, but the pieces are too neatly manufactured to feel as if anything is truly at stake.
Village Voice
Alan Scherstuhl
At first you'll seethe - then your heart will ache.
The Dissolve
Tasha Robinson
The moral ends up muddier as a result, but the film's diversity ends up making it more of a muse-worthy thinkpiece than a conventional melodrama might have been.
Thompson on Hollywood
John Anderson
Human Capital works quite well as a conventional, if unconventionally structured, narrative, which may be why it's done so well in Europe.
The Hollywood Reporter
Deborah Young
Not just a chic thriller, but an engrossing study of Italian society and a downward-spiralling economy.
Variety
Jay Weissberg
An engrossing, stinging look at aspirational parvenus and the super-rich they emulate.
Slant Magazine
Elise Nakhnikian
It gives the tired trope of cutting between overlapping stories a welcome shot of adrenaline.
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