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Look at Me
Directed by
Agnès Jaoui
PG-13
2005
1h 50m
Drama
,
Comedy
,
and more
6.8
88%
69%
6.3
Add to Watchlist
A French girl gifted with a great voice, has a complex about her weight and her appearance.
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Where to Watch Look at Me
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Cast of Look at Me
Marilou Berry
Lolita Cassard
Jean-Pierre Bacri
Étienne Cassard / Screenplay
Agnès Jaoui
Sylvia Millet / Director / Screenplay
Laurent Grévill
Pierre Millet
Virginie Desarnauts
Karine Cassard
Keine Bouhiza
Sébastien
Grégoire Oestermann
Vincent
Serge Riaboukine
Félix
Michèle Moretti
Édith
Yves Verhoeven
Le badaud 1
Samir Guesmi
Le badaud 2
Jean-Pierre Lazzerini
Le chauffeur de taxi
Jacques Boko
Le videur
Christian Bérard
Producer
Jean-Philippe Andraca
Producer
Olivier Jacquet
Production Design
Jimena Esteve
Set Decoration
Stéphane Fontaine
Director Of Photography
Patrick Girault
Key Hair Stylist
Eric Benazet
Hairstylist
Look at Me Ratings & Reviews
Arizona Republic
Richard Nilsen
The pleasure of the film, as in many French films from Renoir to Rohmer, is in the exactitude of observation, the accuracy of the portrait and the elegance of the writing.
Austin Chronicle
Marjorie Baumgarten
Although little about the story seems surprising or spontaneous, the film's delights lie in its acute observation of the characters and their interactions.
The New Yorker
Anthony Lane
Both an implicit protest against the blindness of power and an equally fervent protest against the acquiescence of men and women who are too weak or too compromised to stand up for themselves -- that is, most people.
Washington Post
Ann Hornaday
Jaoui sets her wryly observant sights on family, artistic ambition and the tyranny of physical appearance, and the result is a bright, briskly moving film whose modest scale belies the universality of its themes.
Houston Chronicle
Bruce Westbrook
An overrated mound of misery.
Atlanta Journal-Constitution
Eleanor Ringel Cater
The self-involved characters in this emotionally smart, beautifully acted and uncommonly insightful film help us look at ourselves.
Dallas Morning News
Chris Vognar
This is the kind of fluid, balanced comedy-drama that Woody Allen wishes he could still make.
Washington Post
Desson Thomson
The characters exude moral three-dimensionality; they're not built to behave or please us. They're not bound by that inflexible Hollywood contract to modify their lives and morals just in time for the ending.
Philadelphia Inquirer
Carrie Rickey
It's a marvel that reverberates long after we leave the theater.
Denver Post
Michael Booth
Rarely does a director assemble a set of characters so infantile in their emotions and so irritating to be around -- at least if they want anyone to actually pay to see the movie.
Chicago Sun-Times
Roger Ebert
The thing about a movie like this is, the characters may be French, but they're more like people I know than they could ever be in the Hollywood remake.
Chicago Tribune
Michael Wilmington
A witty and psychologically perceptive look at the Parisian literary scene.
Seattle Times
Moira MacDonald
Jaoui, crisply efficient as Sylvia, reveals herself as a talent to watch, and Berry disappears into the role of Lolita, carrying the movie on her weary shoulders.
San Francisco Chronicle
Ruthe Stein
One of the many marvels of this keenly observed family saga is the rapidness and economy with which it establishes a disturbing father-daughter dynamic.
Boston Globe
Wesley Morris
A marvelous, uncommonly observant, and unexpectedly rousing group portrait from writer-director-actors Agnès Jaoui and Jean-Pierre Bacri.
New York Daily News
Jami Bernard
This audience-pleaser is smart and acerbic.
Rolling Stone
Peter Travers
This bonbon spiked with malice is a triumph for Jaoui, who takes witty and wounding measure of the small betrayals that leave bruises on us all.
Newsday
Jan Stuart
The ironies and emotional truths running through the dense screenplay are too manifold to catalog here.
Entertainment Weekly
Lisa Schwarzbaum
Comparisons with Woody Allen in his prime aren't out of order.
L.A. Weekly
Ella Taylor
These hapless malcontents, sweating and puffing as they strive for validation from a man who lacks sufficient backbone to live his own life, let alone theirs, are beautifully observed.
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