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Mammoth
Directed by
Lukas Moodysson
Not Rated
2009
2h 5m
Drama
,
Romance
6.8
45%
62%
6.1
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Fatal destinies collide when a father must leave his family in New York for a business trip to Thailand concerning the gaming industry.
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Where to Watch Mammoth
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Philo
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Cast of Mammoth
Gael García Bernal
Leo Vidales
Michelle Williams
Ellen Vidales
Marife Necesito
Gloria
Sophie Nyweide
Jackie Vidales
Tom McCarthy
Bob Sanders
Natthamonkarn Srinikornchot
Cookie
Jan David G. Nicdao
Salvador
Martin Delos Santos
Manuel
Maria Esmeralda del Carmen
Grandmother
Perry Dizon
Uncle Fernando
Joseph Mydell
Ben Jackson
Doña Croll
Alice
Caesar Kobb
Anthony
Matthew James Ryder
Bob Sanders' Colleague
Piromya Sootrak
Cookie's Daughter
Pasakorn Mahakanok
Pom
Thanita Nirna-Na-Nan
Pim
Rudina Hatipi
Lukas Moodysson
Director / Writer
Lars Jönsson
Producer
Mammoth Ratings & Reviews
Film Comment Magazine
Laura Kern
The real trouble with Mammoth is that [Lukas] Moodysson, more practiced in subtlety than he's given credit for, exhibits none here.
BrianOrndorf.com
Brian Orndorf
Mammoth features sensational moments of reaction and deliberation communicated by a gifted cast, building a few symbolic global bridges, more appreciable for their design than their destination.
New York Magazine/Vulture
David Edelstein
Too many films exploit the perils faced by children when the social contract is ruptured, but Mammoth earns its cruel, sensationalistic turns and then some.
Bangor Daily News (Maine)
Christopher Smith
The message of the movie seems to be that Americans can solve guilt by paying the right person.
Critic's Notebook
Robert Levin
Features various storylines centered on the same weighty themes, which mean to say so much about the human condition and modernity that they end up saying perilously little.
New York Daily News
Joe Neumaier
The overlapping stories, the emotional disconnect, the heavy-handed symbolism -- no, it's not a movie from the makers of Babel, its a mumbling, stammering copycat drama from Swedish director Lukas Moodysson.
Movie Retriever
Brian Tallerico
Takes a bit too long to get going and perhaps bites off more thematically than it can chew, but it has too many intriguing ideas and spectacular performances to be dismissed.
New York Times
Manohla Dargis
In Mammoth, when a rich child eats her lunch in New York, a poor boy in the Philippines cries. And so it goes, as privilege begets exploitation with grimly deterministic logic and pages and pages of bad dialogue.
Metromix.com
Geoff Berkshire
Less obsessed with coincidence and more interested in the ways people from various cultures connect, or don't quite connect, in everyday situations.
Wall Street Journal
Joe Morgenstern
Mammoth manages to be as affecting as it is heartfelt.
New York Post
Lou Lumenick
Any semblance of subtlety was unfortunately lost in translation.
Chicago Sun-Times
Roger Ebert
There are so many reasons to be outraged and depressed by this film, indeed, that it all but distracts from the real and immediate qualities of the four fine actors.
Entertainment Weekly
Owen Gleiberman
The movie is at once intimate and (in its softhearted way) preachy.
Spirituality & Practice
Mary Ann Brussat
Focuses on the strong and universal desire of both the rich and the poor for a loving connection with their children and the obstacles which can hinder that intimacy.
AV Club
Noel Murray
The movie lacks the personal touch that's distinguished even Moodysson's "difficult" films.
Filmcritic.com
Christopher Null
a remarkably subtle exploration of family in a time of capitalism
Village Voice
Melissa Anderson
English, Tagalog, and Thai are spoken in Swedish writer-director Lukas Moodysson's Mammoth, but he communicates only in the idiom of Crash and Babel: the Esperanto of feel-bad humanism.
Slant Magazine
Joseph Jon Lanthier
A transitional, almost deliberately pensive movie from a director who typically charts a ruthlessly direct course.
Boxoffice Magazine
Richard Mowe
It is all too simplistic and obvious and increasingly the preachy tone becomes irritating.
Variety
Alissa Simon
Comes with too much repetitive exposition and lacks an emotional payoff.
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