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Mass
Directed by
Fran Kranz
PG-13
2021
1h 51m
[Drama](/on-demand/category/drama)
7.5
95%
90%
7.3
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The parents of both the shooter and one of the victims of a school shooting tragedy agree to meet and talk in an attempt to move forward.
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Where to Watch Mass
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Cast of Mass
Martha Plimpton
Gail
Jason Isaacs
Jay
Ann Dowd
Linda
Reed Birney
Richard
Breeda Wool
Judy
Michelle N. Carter
Kendra
Kagen Albright
Anthony
Michael White
Piano Teacher
Campbell Spoor
Piano Student
Fran Kranz
Director / Writer / Producer
Tony Becerra
Co-Producer / First Assistant Director
Nico Falls
Executive Producer
Marshall Rawlings
Executive Producer
Douglas Matejka
Executive Producer
Joe Abrams
Executive Producer
Marissa Ghavami
Co-Producer
William Thomas Andrew Davies
Co-Producer
J. Davis
Consulting Producer
J.P. Ouellette
Producer
Casey Wilder Mott
Producer
Mass Ratings & Reviews
The Jewish Chronicle
Linda Marric
While stories such as We Need To Talk about Kevin capitalised on the shock value of its horrifying events by playing with a non-linear narrative, Kranz's film doesn't feel the need for any extra artifice.
Associated Press
Jake Coyle
The performances are too internalized to seem theatrical. Often, "Mass" is most moving when they're simply listening.
Detroit News
Adam Graham
Isaacs, Plimpton, Birney and Dowd make a strong argument for an Academy-recognized award for ensemble acting.
Chicago Sun-Times
Richard Roeper
All four members of the primary ensemble deliver empathic and powerful performances, with Plimpton's Gail nearly paralyzed by years of mourning, Isaac's Jay brimming with anger...
San Jose Mercury News
Randy Myers
Actor Fran Kranz' writing and directing debut makes for an uncomfortable, often tortuous film.
Washington Post
Ann Hornaday
At its core, "Mass" exerts the power of ritual at its most reflective and galvanizing, reveling in human connection at its most arduous, persistent and sublime.
Vanity Fair
Richard Lawson
Thoughtful and harrowing, Mass is a difficult wonder.
Arizona Republic
Bill Goodykoontz
Some horrors must be faced. "Mass" faces them head-on, and is all the better for it.
The Atlantic
Shirley Li
Mass's unusual approach -- to consider how people communicate with one another -- results in the rare dramatization of a school shooting's lasting effects that feels truthful without being exploitative.
San Francisco Chronicle
Bob Strauss
The dedication to unpleasant and probably unknowable reality here can only be admired, whether we like it or not.
RogerEbert.com
Matt Zoller Seitz
An out-of-nowhere triumph, Mass is the sort of American drama that you rarely see anymore.
ABC News
Peter Travers
Harrowing to watch, but impossible to shake, this emotional powerhouse catches two sets of parents, brilliantly played by Martha Plimpton, Jason Isaacs, Reed Birney and an Oscar-worthy Ann Dowd, in the traumatic aftermath of a school shooting.
Tribune News Service
Katie Walsh
"Mass" doesn't impose any meaning, it simply observes the searching for it, and the infinitesimally small salvations we can hope to find in the process.
Los Angeles Times
Justin Chang
This is, among other things, a vividly eloquent movie about the futility of language, its inability to represent the full scope of our intentions and experiences, much less exorcise our deepest pains.
New York Times
Teo Bugbee
It demonstrates the effectiveness of simplicity. A well-written script and an exemplary cast can still produce a movie worth watching.
Observer
Rex Reed
A film of rare ideas and smashing performances.
Observer
Siddhant Adlakha
Driven by four challenging, nuanced and completely distinct performances, Mass is an emotional razor-wire.
AV Club
Ignatiy Vishnevetsky
The cast carries the film; Dowd, as Linda, is especially terrific. Yet the feeling that one is watching a latter-day teleplay is hard to shake...
Slant Magazine
Wes Greene
In the hands of its cast, the film gives such precise and profound expression to the totality of grief that it comes to feel downright palpable.
Chicago Reader
Josh Flanders
Taking two pairs of seasoned stage and film actors and putting them in a room for two hours to hash out a shared trauma sounds like the making of a great Tennessee Williams play, but it is instead a riveting and unforgettable feature by Fran Kranz.
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