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Opus
Directed by
Mark Anthony Green
R
2025
1h 44m
Drama
,
Horror
,
and more
5.7
39%
61%
5.8
Add to Watchlist
A writer travels to the compound of a pop icon who disappeared years ago. Surrounded by his cult of sycophants, as well as a group of fellow journalists, she soon discovers his twisted plans for the gathering.
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Where to Watch Opus
HBO Max
Subscription
HBO Max Amazon Channel
Subscription
YouTube TV
Subscription
+4 more
Cast of Opus
Ayo Edebiri
Ariel Ecton
John Malkovich
Alfred Moretti
Juliette Lewis
Clara Armstrong
Murray Bartlett
Stan Sullivan
Melissa Chambers
Bianca Tyson
Tony Hale
Soledad Yusef
Stephanie Suganami
Emily Katz
Mark Sivertsen
Bill Lotto
Amber Midthunder
Belle
Tatanka Means
Najee
Aspen Martinez
Maude
Peter Diseth
Jorg
Tamera Tomakili
Rachel Malick
Rose Marley Meizlesh
Levelist #1
Jasper Keen
Lee
Young Mazino
Kent
Jean Effron
Receptionist
Justin Perry
Magazine Editor
Aimee McGuire
Magazine Editor
Chris Highlands
Magazine Editor
Opus Ratings & Reviews
The Daily Beast
Jordan Hoffman
It's rare these days to see a truly rotten pairing of performer and role, but it is on display in A24's Opus, a lousy movie in every respect, but worthy of a "what the hell were they thinking?" in its most grievous mistake.
Kermode and Mayo's Take (YouTube)
Mark Kermode
I kind of enjoyed it.
TheWrap
William Bibbiani
'Opus' is a Cheeto without the Cheeto dust, so of course we feel cheeted.
Tribune News Service
Katie Walsh
The film seems like it's trying to solve a mathematical formula for zeitgeist-grasping success, but in this empty, hollow provocation, nothing adds up.
Observer
Dylan Roth
It's fertile ground for a satirical thriller, but Opus doesn't probe deeply enough to say anything interesting, and what Green does have to say isn't terribly clear. Opus isn't as superficial as the world it's commenting on, but it's not cleverer, either.
Washington Post
Ty Burr
Like everything else about this smug, annoying movie, the wait is in vain.
Movie Mom
Nell Minow
"Opus" is almost smart, almost good, and almost worth your time. A first-rate but mostly under-used cast flounders in the second half of a story that begins as a satire of obsession with celebrity that veers into a less successful thriller.
AV Club
Brianna Zigler
The many ideas of Opus congeal together into a colorless mass, like saliva pooling on a hunk of shared bread.
San Francisco Chronicle
G. Allen Johnson
The last half hour of "Opus" is an unbearable slog, with an unsatisfying ending.
Austin Chronicle
Marjorie Baumgarten
Opus is an attack on media mouthpieces and mindless sycophants, but its barbs only scratch the surface before the inevitable mayhem takes over.
New York Times
Ben Kenigsberg
Green proves a solid filmmaker when it comes to setting atmosphere, and he even shows off the occasional inspired formal touch.
Chicago Sun-Times
Richard Roeper
Green is clearly talented and delivers consistently arresting visuals, but the messages are delivered with the subtlety of a sledgehammer, and the performances from the skilled cast are often way, way over the top.
Detroit News
Adam Graham
There's little sense of tension or suspense as the story unfolds.
San Jose Mercury News
Randy Myers
Even though "Opus" hiccups at the end, its many pieces fit well together to hold up a mirror to a world gone mad by the idols it produces and the people who want in on the mirage.
Chicago Tribune
Michael Phillips
"Opus" has its moments. But even the surprises aren't especially surprising.
Chicago Reader
Taryn McFadden
The performances are singular: Malkovich drips with offbeat charisma and incites a curious perturbation. People's princess Ayo Edebiri is an unsurprisingly terrific final girl, injecting humor in delivery and expression at every turn.
Associated Press
Mark Kennedy
How both [Ayo Edebiri and John Malkovich] could be totally miscast will haunt your dreams.
Slant Magazine
Kyle Turner
The film takes dozens of different anecdotes about cults and celebrities and manages to render them pedestrian, unoriginal, staid.
Newsweek
Billie Melissa
It's got a lot going for it, both in style and substance, and 103 minutes of genre-defying thrills that refuse to pigeonhole itself, both through style and content, is not to be sniffed at for a feature debut.
Perri Nemiroff (YouTube)
Perri Nemiroff
The legend & mystery of John Malkovich's Moretti is quite captivating in this wickedly twisted exploration of the power & dangers of a celebrity-obsessed culture. Mark Anthony Green also couldn't have picked a better anchor for the film than Ayo Edebiri.
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