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Right Now, Wrong Then
Directed by
Hong Sang-soo
Not Rated
2015
2h 1m
Drama
,
Romance
7.1
92%
65%
7.0
Add to Watchlist
A married film director falls for a young painter - twice.
More
Where to Watch Right Now, Wrong Then
Hoopla
Free
Fandor Amazon Channel
Subscription
Amazon Video
Buy $12.99
Cast of Right Now, Wrong Then
Jung Jae-young
Ham Chunsu
Kim Min-hee
Yoon Heejung
Youn Yuh-jung
Kang Deoksoo
Ki Joo-bong
Kim Wonho
Choi Hwa-jeong
Bang Sooyoung
Yu Jun-sang
Ahn Seonggook
Seo Young-hwa
Joo Youngsil
Ko A-sung
Yeom Bora
Hong Sang-soo
Director / Writer
Kim Cho-hee
Producer
Park Hong-yeol
Director Of Photography
Shin Seok-ho
Assistant Director
Kang Tae-u
Assistant Director
Hahm Sung-won
Editor
Son Yeon-ji
Assistant Editor
Jeong Yong-jin
Original Music Composer
Kim Mir
Sound Supervisor
Song Ye-jin
Recording Supervision
Right Now, Wrong Then Ratings & Reviews
Chicago Reader
J. R. Jones
Hong is quietly preoccupied with the value of living authentically; you have to give him credit for continuing to find new angles on a story he's told ad nauseam.
Paste Magazine
Tim Grierson
The Hong trademarks are all there in "Right Now, Wrong Then," but so is a newfound optimism and romantic glow. Rarely has he been such a crowd-pleaser, while also being so bittersweet.
Metro
Matt Prigge
Hong once again, as he always does, nails the way a specific type of man plays with the mind of a certain type of woman, one forever destined to throw his advances in his face.
RogerEbert.com
Susan Wloszczyna
Despite the fact that not much of actual consequence happens during "Right Now, Wrong Then," Hong does much more right here than he does wrong.
New York Times
A.O. Scott
Mr. Jung is equally credible as a diffident, sensitive artist and an impatient boor, and Ms. Kim slides nimbly from demure to obnoxious.
NPR
Mark Jenkins
In fact, there are many differences, some of them merely playful but others profound.
Los Angeles Times
Justin Chang
No filmmaker better understands the revelatory properties of small talk and soju, and few could make the art of repetition seem so rife with possibilities.
Village Voice
Sherilyn Connelly
In the end, Right Now, Wrong Then is a two-piece puzzle that's less than the sum of its parts.
AV Club
Mike D'Angelo
The very best film released in 2016 so far.
Spirituality & Practice
Mary Ann Brussat
Two versions of the unfolding of a romantic relationship that challenge us to pay attention to details.
Brooklyn Magazine
Vadim Rizov
For this master filmmaker, a straight down the middle effort, which doesn't mean it's not essential.
Film Comment Magazine
Jonathan Romney
Hong's films make us realize that people like Chunsu have the potential to make life pretty dreadful for themselves and everyone around them, so thank goodness for providence-and a master manipulator like Hong-for saving everyone from the brink.
Dennis Schwartz Movie Reviews
Dennis Schwartz
It keenly observes how people try to make romantic connections.
Film Comment Magazine
Max Nelson
Hong is interested in the technical challenges lengthy shots pose. How can a filmmaker glean the benefits of long takes while still suggesting that each shot represents only one possible arrangement of the many elements from which it's combined?
Willamette Week
AP Kryza
The actors are wonderful in the play's extremely long takes. Problem is, their characters-he an adulterous doofus, her a bore-aren't engaging enough to make you want to do this once, let alone twice
The Film Stage
Nick Newman
Right Now, Wrong Then is a terrific example of Hong's talents, which means it also sounds massively uninteresting.
Variety
Guy Lodge
The amiably ambling result is unlikely to shift the divide between Hong's enchanted admirers and impatient skeptics.
Reverse Shot
Adam Nayman
We might say that this version of the character is more honest than the one who came before, and in turn, what was bitterly comic in the first section of the film gets reconfigured as ineffably tender.
The Hollywood Reporter
Boyd van Hoeij
What's interesting is that part one has an intentionally somewhat pedestrian quality; it's meant to illustrate a regular day-out-of-the-life of two individuals who happen to meet and spend not even 24 hours together.
The New Yorker
Richard Brody
Together, the two parts make a radical fiction about the crucial role of imagination in lived experience.
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