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Shelby Oaks
Directed by
Chris Stuckmann
R
2025
1h 31m
Horror
,
Thriller
,
and more
5.3
55%
53%
5.7
Add to Watchlist
A woman's obsessive search for her missing sister leads her into a terrifying mystery at the hands of an unknown evil.
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Where to Watch Shelby Oaks
Amazon Video
Buy $19.99
Apple TV
Buy $19.99
Fandango At Home
Buy $19.99
+3 more
Cast of Shelby Oaks
Camille Sullivan
Mia
Sarah Durn
Riley
Brendan Sexton III
Robert
Michael Beach
Detective Burke
Keith David
Morton Jacobson
Derek Mears
Tarion
Emily Bennett
Janet
Charlie Talbert
Wilson Miles
Robin Bartlett
Norma Miles
Mason Heidger
Reactor #1
Joe Quinn
Reactor #2
Mariah Burks
Reactor #3
C.L. Simpson
Marilyn
Sloane Burkett
Young Riley
Brenna Sherman
Young Mia
Caisey Cole
Laura
Anthony Baldasare
Peter
Eric Francis Melaragni
David
Lauren Ashley Berry
Jess
Lori Palminteri
News Anchor #3
Shelby Oaks Ratings & Reviews
FilmWeek (LAist)
Christy Lemire
A very derivative and repetitive horror movie with pieces of better films you've seen before.
Fish Jelly Films (YouTube)
Nicholas Bell
Narrative beats and found footage frills compromise the character development which could have made Shelby Oaks enjoyable, but there's an undeniable dread cresting on a horrific high in the third act worth waiting for.
InBetweenDrafts
Jon Winkler
There's plenty of potential in Stuckmann's filmmaking skills and hopefully he can find it before he faces the horrors of today's greatest monster: YouTube algorithms.
Horror Movie Club Podcast
Brian Bisesi
Shelby Oaks is a fairly paint-by-numbers affair, but it manages to squeeze some suspense and scares out of its familiar formula.
In Review Online
Jake Tropila
Stuckmann abandons the found footage conceit [too early], playing out the rest of the feature as a more traditional narrative film, and a horribly glacial one at that.
The Cinesnob Podcast
Kiko Martinez
Unoriginal. The story gets overly complicated and the climax doesn't deliver.
Keith & the Movies
Keith Garlington
Stuckmann concentrates most on creating and developing a steady sense of unease. It results in a richly atmospheric chiller that's brimming with the kind of sustained tension that keeps you fidgeting in your seat for all the right reasons.
Los Angeles Times
Robert Abele
The horror greats always knew how to mix the schlocky and the soul-churning. Let's just say Stuckmann is still in the training-wheels phase.
New York Times
Jeannette Catsoulis
A witchy crone, a possible incubus and an abandoned amusement park add up to not very much in "Shelby Oaks," a derivative and dogged horror movie that reverts to rote with wearying regularity.
The Daily Beast
Nick Schager
Save for a single sterling jolt, his compendium of clichés is a case study in knowing a genre's tricks but doing absolutely nothing of interest with them.
Detroit News
Adam Graham
The specter of "The Blair Witch Project" looms large over the proceedings, but "Shelby Oaks" isn't able to conjure up the same level of atmosphere or dread as that seminal horror experience.
TheWrap
William Bibbiani
It's that rare horror film that's scarier if you have it on in the background while you're doing a sudoku puzzle than if you're actually, you know, watching it.
Arizona Republic
Bill Goodykoontz
It's when Mia starts actively following clues that things get dumb - or at least disjointed.
The Hollywood Reporter
Richard Lawson
There is a fine line between reverent homage and cheap pastiche; Shelby Oaks largely exists on the latter side.
Slant Magazine
Rocco T. Thompson
Though the film is billed as a found-footage freak-out, the bulk of Chris Stuckmann's investment in that cinematic form is up top.
Variety
Dennis Harvey
This mix of found-footage, missing-person, demonic-possession and other stock narrative hooks too often feels like a compendium of ideas from other movies Frankenstein'd together, with too little effort put towards finding a personality of its own.
Austin Chronicle
Richard Whittaker
It's lean as a hellhound.
RogerEbert.com
Brian Tallerico
Horror fans don't mind familiarity, but not if it feels like the echo is all there is to listen to.
IGN Movies
Katie Rife
Shelby Oaks is often effective in the moment. But the bigger pictures of narrative and theme are underdeveloped.
IndieWire
Alison Foreman
Shelby Oaks was obviously written by a critic, one with a near-legendary knowledge of the pop culture archives, and it's directed with a palpable confidence that could lead to better things.
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