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The Amusement Park
Directed by
George A. Romero
Not Rated
2020
54m
Drama
,
Horror
,
and more
6.3
97%
69%
6.1
Add to Watchlist
An elderly gentleman goes for what he assumes will be an ordinary day at the amusement park, only to find himself in the middle of a hellish nightmare.
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Where to Watch The Amusement Park
Hoopla
Free
AMC+ Amazon Channel
Subscription
Shudder
Subscription
+7 more
Cast of The Amusement Park
Lincoln Maazel
The Old Man
Harry Albacker
Phyllis Casterwiler
Pete Chovan
Marion Cook
Sally Erwin
Michael Gornick
Sound
Jack Gottlob
Halem Joseph
Bob Koppler
Sarah Kurtz
Aleen Palmer
Georgia Palmer
Arthur Schwerin
Bill Siebart
Gabriel Verbick
George A. Romero
(cameo) / Director / Editor
Wally Cook
Writer
Richard P. Rubinstein
Associate Producer
S. William Hinzman
Director Of Photography
The Amusement Park Ratings & Reviews
RogerEbert.com
Scout Tafoya
"The Amusement Park" is the only one of Romero's films that feels deliberately episodic without losing its through-line.
The Playlist
Brian Tallerico
"The Amusement Park" is a concise film (only 52 minutes), but Romero packs it so full of detail and ambition that it contains more to appreciate than most films that run three times as long.
CBR
Jeanette White
With a relatively short running time of 52 minutes, The Amusement Park is a must-see for horror/George Romero enthusiasts.
Film Comment Magazine
Maitland McDonagh
The Amusement Park is sharp social commentary rooted in brutal reality, a clear cousin to Romero's Living Dead movies despite the fact that it was a work-for-hire project.
Hyperallergic
Anthony Hawley
The film is a portrait of how the US has long been a punishingly difficult place to live for those at the margins of its winner-take-all, work-till-you-drop capitalist infrastructure.
L.A. Weekly
Nathaniel Bell
The Amusement Park may be the most viscerally effective educational film ever made.
Bloody Disgusting
Meagan Navarro
It's not horror in the conventional sense, nor is it even a feature film. That doesn't make The Amusement Park any less unnerving, which makes this restoration all the more impressive.
The Film Stage
Christian Gallichio
The Amusement Park is a damning, if not exactly horrifying, condemnation of the ways in which society marginalizes and others its elderly.
Eye for Film
Jennie Kermode
For many fans, this will be the last ever chance to see a Romero film for the first time. It won't disappoint.
Daily Dead
Heather Wixson
There's still a lot to learn from the lessons that Romero packs into this horrifying, disorienting, and melancholic examination of the horrors of old age.
AV Club
A.A. Dowd
It's really more of a wild curiosity, though-a footnote on a towering career. All the same, to receive even a minor work from this major artist feels like a blessing...
48 Hills
Dennis Harvey
It's no mere curio but a very strong miniature from a great director.
The New Yorker
Richard Brody
The film's view of a mind thrown back on itself, and the profound vulnerability, mental derangement, and physical degradation that result, is, true to form, a political horror.
Cultured Vultures
Kyle Logan
The Amusement Park is necessary viewing for any fans of Romero's, and it's easy to see that the film was made by a master craftsman who knew how to use form to evoke feeling and instill fear.
Polygon
Deirdre Crimmins
There's also no shame in admitting that it isn't a holy grail... But The Amusement Park has considerable value, when it's taken in context.
Fat Guys at the Movies
Kevin Carr
It does feel at times like the most twisted public service video you're ever going to see. And it's disturbing and weird and creepy.
Variety
Michael Nordine
Romero died four years ago, but the strength of this posthumous work - to say nothing of his existing corpus - ensures that his legacy will live on.
Moviegoing with Bill
Bill Arceneaux
It lives both as testament to talent and a landmark of punk before punk. It's confrontational and great. It's George A. Romero to a satisfactory conclusion.
Austin Chronicle
Richard Whittaker
Finally recovered from the archive by the George A. Romero Foundation, and restored by New York's IndieCollect from two faded 16mm prints, its mere existence as a lost Romero is enough to make it worth watching.
Slant Magazine
Chuck Bowen
With The Amusement Park, George Romero holds a cracked (funhouse) mirror up to a callous and ultimately terrified society.
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