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The Living End
Directed by
Gregg Araki
Not Rated
1992
85m
Drama
,
Romance
,
and more
6.6
73%
61%
6.7
Add to Watchlist
Luke is a gay hustler. Jon is a movie critic. Both are HIV positive. They go on a hedonistic, dangerous journey, their motto "Fuck the world".
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Where to Watch The Living End
Dekkoo
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Dekkoo Amazon Channel
Subscription
MUBI
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+7 more
Cast of The Living End
Mike Dytri
Luke
Craig Gilmore
Jon
Mark Finch
Doctor
Mary Woronov
Daisy
Johanna Went
Fern
Darcy Marta
Darcy
Scott Goetz
Peter
Brett Vail
Ken
Nicole Dillenberg
Barbie
Stephen Holman
7-11 Couple
Magie Song
7-11 Couple
Peter Lanigan
Three Stooges
Jon Gerrans
Three Stooges / Producer
Jack Kofman
Three Stooges / Sound Recordist
Chris Mabli
Melrose NeoNazi
Michael Now
Tarzan
Michael Haynes
Jane
Peter Gramé
Gus
Craig Lee
Ralphs Couple
Torie Chickering
Ralphs Couple
The Living End Ratings & Reviews
InSession Film
Dave Giannini
The Living End challenges to the very end, leaving us unsure of both where Jon is headed and how we are meant to feel about it. If you have never seen any of Araki's films, The Living End, given its simple structure, is the perfect place to begin.
Vague Visages
D.M. Palmer
The film's characters set out to deface an edifice that has shut them out; they choose death over acceptance...
Southern Voice (Atlanta)
Matthew Cibellis
Many of the questionable cinematic choices dissolve, revealing some great screen moments between Jon and Luke. Araki spells out the bittersweet torment of their affair in striking detail throughout.
Washington Blade
Trey Graham
Gregg Araki could barely have bought a car for what little he spent making The Living End... but it's a good thing he didn't opt for an auto, because Living End is one great road trip.
Nashville Scene
Jason Shawhan
Perfect for a quarantine breakfast of beer and Barbie cereal.
Hartford Courant
Malcolm Johnson
Unfortunately, like so many Warhol films, The Living End ultimately becomes tedious and self-indulgent.
Denver Post
Lisa Kennedy
It is visually vibrant (in a wonderful on-the- cheap kind of way). But its insightful fury is undercut by thrashes of immaturity. It's engaged with culture and angry at it.
Las Vegas Weekly
Josh Bell
Probably more valuable as a cultural artifact than a movie.
EmanuelLevy.Com
Emanuel Levy
Self described by its director as "my most desperate movie," this road movie about two HIV-positive runaways and imposible love in th face of death, put Gregg Araki at the forefront of indie directors.
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