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Three Women
Directed by
Ernst Lubitsch
Not Rated
1924
70m
Drama
6.4
89%
4.3
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A frivolous middle-aged socialite is suddenly put upon to have her daughter live with her. Her conniving paramour dumps her for her daughter, leaving her young boyfriend crushed.
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Where to Watch Three Women
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Cast of Three Women
May McAvoy
Jeannie Wilton
Pauline Frederick
Mrs. Mable Wilton
Marie Prevost
Harriet
Lew Cody
Edmund Lamont
Willard Louis
Harvey Craig
Pierre Gendron
Dr. Fred Colman
Mary Carr
Mrs. Colman - Fred's Mother
Raymond McKee
Fred's Friend
Max Davidson
The Pawnbroker
Charles Farrell
Reveler at Monkey Bar
George J. Lewis
Reveler at Monkey Bar
Tom Ricketts
Butler
Rolfe Sedan
Reveler at Monkey Bar
Hal Thompson
Butler
Jane Winton
Charity Ball Guest
Ernst Lubitsch
Director / Writer
Jolanthe Marés
Novel
Hanns Kräly
Writer
Svend Gade
Art Direction
Charles Rosher
Director Of Photography
Three Women Ratings & Reviews
Edge Media Network
Frank J. Avella
Performance-wise, only Frederick manages a real and interesting turn here. She's fascinating to watch, and knows exactly how to play to the camera. Everyone else either overacts, mugs, or becomes part of the scenery.
48 Hills
Dennis Harvey
A hit then, it's minor Lubitsch now, but still worth a look, with a very good original orchestral score by Andrew Earle Simpson.
Dennis Schwartz Movie Reviews
Dennis Schwartz
Somehow it is still an easy watch even if Lubitsch can't do all of his magic with such an inferior high society melodrama.
LIFE
Robert E. Sherwood
Three Women is one of the pictures that I am anxious to see again.
TIME Magazine
TIME Staff
The unseen hand of Ernest Lubitsch pulls the strings for these popular puppets and makes them dance acceptably.
Variety
Fred Schader
Three Women is an exposition of as pretty a piece of direction as has been seen on the screen in some time. For this Ernst Lubitsch is to be credited.
New York Times
Mordaunt Hall
While Three Women has many strong points, it becomes wobbly and unreal toward the end.
The New Yorker
Richard Brody
As the self-interested rou's plan kicks into high gear, the cynical comedy darkens to operatic drawing-room melodrama, but Lubitsch anchors the resulting violence with a piercing, subtle intimacy.
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