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Two Days, One Night
Directed by
Jean-Pierre Dardenne
,
Luc Dardenne
PG-13
2014
1h 35m
Drama
7.3
96%
77%
6.9
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A factory worker has only two days to change her colleagues' minds when she discovers that they have opted for a fiscal bonus in exchange for her dismissal.
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Cast of Two Days, One Night
Marion Cotillard
Sandra
Fabrizio Rongione
Manu
Catherine Salée
Juliette
Pili Groyne
Estelle
Baptiste Sornin
Mr. Dumont
Simon Caudry
Maxime
Lara Persain
Willy's wife
Alain Eloy
Willy
Myriem Akheddiou
Mireille
Fabienne Sciascia
Nadine
Anette Niro
Nanna
Rania Mellouli
Timur's daughter
Christelle Delbrouck
Barwoman
Timur Magomedgadzhiev
Timur
Hassaba Halabi
Hicham's wife
Soufiane Jilal
Maghrebian cashier
Hicham Slaoui
Hicham
Philippe Jeusette
Yvon
Yohan Zimmer
Jérôme
Safia Gollas
Jérôme's friend
Two Days, One Night Ratings & Reviews
The New York Review of Books
J. Hoberman
[Two Days, One Night features] Marion Cotillard in what may be the most self-effacing, yet bravura performance of the year.
Nashville Scene
Bilge Ebiri
The surface details may be different from some of their previous films, but Two Days, One Night might be the Dardennes' masterpiece.
Denver Post
Lisa Kennedy
Consider Marion Cotillard's Oscar-nominated performance in Two Days, One Night a tour de nuance.
St. Louis Post-Dispatch
Calvin Wilson
As with their previous films, the brothers cast a discerning gaze on working-class lives, without preachiness or sentimentality.
Austin Chronicle
Josh Kupecki
Two Days, One Night is contemporary social realism at its finest, portraying the complicated moral landscape we're constantly navigating and the difficult decisions this modern world has invariably wrought.
Seattle Times
Moira MacDonald
A dilemma so simple and so timely, it barely feels like fiction.
Arizona Republic
Bill Goodykoontz
There is strength in simplicity, something the Dardenne brothers' "Two Days, One Night" and its brilliant star, Marion Cotillard, prove emphatically.
San Diego Reader
Matthew Lickona
Wonderbrothers Jean-Pierre and Luc Dardenne return with a tale of heroic struggle against an ordinary disaster.
Chicago Reader
J. R. Jones
In film after film the Dardennes have proven themselves the cinema's most acute humanist critics of predatory capitalism; this masterful drama finds them at the top of their game.
Philadelphia Inquirer
Steven Rea
The Dardennes are aces at these small-scale human dramas, and Two Days, One Night is almost without flaw ...
Boston Globe
Ty Burr
Coursing underneath the film's calm, observant surface is a fury at a system that sets people in the same leaky boat at each other's throats.
Washington Post
Ann Hornaday
As a parable on karma, capitalism and Darwinian corporate politics, "Two Days, One Night" can often feel brutal. As a testament to connection, service, sacrifice and self-worth, it's a soaring, heart-rending hymn.
Chicago Tribune
Michael Phillips
Cannes Film Festival director Thierry Fremaux called it a "Belgian Western," and it's true; echoes of "High Noon" and others reverberate in its bones.
Christian Science Monitor
Peter Rainer
None of this would work if Cotillard's performance weren't so forthright and deeply felt.
leonardmaltin.com
Leonard Maltin
Jean-Pierre and Luc Dardenne, comme d'habitude, deliver first-rate, suspenseful drama with an approach not unlike the cinéma vérité style associated with documentary filmmaking...
Los Angeles Times
Betsy Sharkey
The Dardennes take us into the ecosystem of need. By the time they are through, they've cut a wide swath that covers most of the issues of the working class.
Newsday
John Anderson
A rare thing, a socio-economic thriller, with a moving performance by Cotillard.
Wall Street Journal
Joe Morgenstern
The premise is as simple as a biblical parable, and as densely packed with significance.
NPR
Bob Mondello
[A] slice of pressurized middle-class life ... so real, it feels a bit like a documentary.
Entertainment Weekly
Chris Nashawaty
Cotillard's Sandra is asking a question not only of her colleagues but of the audience, too: Are we willing to put aside our own self-interest for the sake of empathy? Are we cowardly or brave?
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