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Woodshock
Directed by
Laura Mulleavy
,
Kate Mulleavy
R
2017
1h 41m
Drama
,
Thriller
,
and more
4.2
27%
24%
4.4
Add to Watchlist
A woman, consumed by profound grief after a personal loss, aided by a potent drug meant for the terminally ill, delves into her psyche for solace set in the hauntingly beautiful redwood forests.
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Where to Watch Woodshock
Hoopla
Free
Cinemax Amazon Channel
Subscription
YouTube TV
Subscription
+5 more
Cast of Woodshock
Kirsten Dunst
Theresa / Executive Producer
Joe Cole
Nick
Pilou Asbæk
Keith
Steph DuVall
Ed
Jack Kilmer
Johnny
Susan Traylor
Theresa's Mother
Joel McCoy
Foreman
Michael Pavlicek
Mike
Joseph Wray Barney
Kid at Party #1
Henry Pokorski
Kid at Party #2
Kyler Jude Hanson
Customer
Laura Mulleavy
Director / Writer / Costume Design
Kate Mulleavy
Director / Writer / Costume Design
Ken Kao
Producer
K.K. Barrett
Producer / Production Design
Fredrik Zander
Executive Producer
Michael Costigan
Producer
Ben LeClair
Producer
Celine Diano
Art Direction
Florencia Martin
Set Decoration
Woodshock Ratings & Reviews
Pajiba
Roxana Hadadi
Woodshock doesn't have a clear-cut narrative or a truly developed plot. But Kirsten Dunst's performance of sadness is often eerily reflective and unshakably gorgeous.
Chicago Sun-Times
Richard Roeper
The directors of Woodshock are Kate and Laura Mulleavy, the sibling founders of the Rodarte brand. They clearly have an eye for fashion. As filmmakers, they clearly have an eye for fashion.
Detroit News
Adam Graham
Kate and Laura Mulleavy ... give everything the hazy feel of a nearly forgotten dream. They have a knack for creating and sustaining a heavy mood, but that mood is overburdened by the questions that surround the narrative.
Chicago Reader
J. R. Jones
Orbiting her like vague moons are three young men-her concerned husband, her cagey boss at the dispensary, and an adenoidal young admirer-most of whom seemed as puzzled by the situation as I was.
Arizona Republic
Barbara VanDenburgh
There's daring in the film's slow unfurling. The problem, though, isn't one of patience but of payoff. "Woodshock" is beautiful but it's all chassis, a root-dead tree that crumbles beneath the ax.
Boston Globe
Ty Burr
The Mulleaveys know how to make pretty, pointed pictures, but they haven't yet figured out what to do with them.
Austin Chronicle
Marc Savlov
An unreliable narrator who never actually narrates things renders the film a stoney, red-eyed, albeit impeccably coutured mystery, but one that never quite sorts itself out.
Chicago Tribune
Michael Phillips
The movie turns you, the audience, into the one person at the party who isn't high.
Washington Post
Alan Zilberman
Defiantly inscrutable, "Woodshock" can test a viewer's patience, yet the filmmakers' consistent self-confidence creates an alluring, oddly hypnotic effect.
Flavorwire
Jason Bailey
Sure, some of 'Woodshock' is film school nonsense. But how often is anyone even willing to take these risks anymore?
Village Voice
Alan Scherstuhl
Woodshock is a study of a mind's stoned studying, of its slipping in and out of a haze, rather than one of a mind's unraveling or snapping. It's just as interesting as that sounds - you'll either embrace it or find it agony.
Rolling Stone
David Fear
Woodshock is both gorgeous and pretentious in equal measures, and it's hard to reconcile the fact that you don't get one without the other.
The New Yorker
Anthony Lane
The movie unfolds in a fog of grief and guilt-a state of affairs instead of a plot, and a serious test of the viewer's patience.
TheWrap
Dave White
Frst-time filmmakers Kate and Laura Mulleavy work to connect Theresa's mourning with the devastation of the forest around her. They do so with occasional, gorgeously realized success, and with an equal amount of directorial disorientation.
RogerEbert.com
Christy Lemire
It's all pseudo-significant, film-school twaddle, totally lacking in momentum and character development.
Los Angeles Times
Sheri Linden
Sibling directors Kate and Laura Mulleavy's Rodarte brand made them overnight couture stars; with their filmmaking debut, lightning has not struck twice.
IndieWire
David Ehrlich
Fashion powerhouse Rodarte crosses over into the film world with a tedious but tremendously expressive exercise in subjective cinema.
New York Magazine/Vulture
Emily Yoshida
There are a lot of half-complete ideas among the sisters' jumble of imagery, but trying to tie them together is a fitfully enjoyable, if ultimately fruitless experience.
Slant Magazine
Henry Stewart
It becomes the obnoxious equivalent of trying to have a serious conversation with people who are high out of their minds.
AV Club
Katie Rife
Character development and motivation are practically nonexistent, and the already-thin plot pushes ambiguity to the point of incoherence. It's like Nocturnal Animals, if the whole movie were Amy Adams taking a bath.
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