HR
Hans Richter
Actor
Born January 12, 1919Died October 5, 2008 (89 years)
Hans Richter was a German painter, graphic artist, avant-gardist, film-experimenter and producer. He was born in Berlin into a well-to-do family and died in Minusio, near Locarno, Switzerland.
Richter's first contacts with modern art were in 1912 through the "Blaue Reiter" and in 1913 through the "Erster Deutscher Herbstsalon (de)" gallery "Der Sturm", in Berlin. In 1914 he was influenced by cubism. He contributed to the periodical Die Aktion in Berlin. His first exhibition was in Munich in 1916, and Die Aktion published as a special edition about him. In the same year he was wounded and discharged from the army and went to Zürich and joined the Dada movement.
Richter believed that the artist's duty was to be actively political, opposing war and supporting the revolution. His first abstract works were made in 1917. In 1918, he befriended Viking Eggeling, and the two experimented together with film. Richter was co-founder, in 1919, of the Association of Revolutionary Artists ("Artistes Radicaux") at Zürich. In the same year he created his first Prélude (an orchestration of a theme developed in eleven drawings). In 1920 he was a member of the November group in Berlin and contributed to the Dutch periodical De Stijl.
Throughout his career, he claimed that his 1921 film, Rhythmus 21, was the first abstract film ever created. This claim is not true: he was preceded by the Italian Futurists Bruno Corra and Arnaldo Ginna between 1911 and 1912 (as they report in the Futurist Manifesto of Cinema), as well as by fellow German artist Walter Ruttmann who produced Lichtspiel Opus 1 in 1920. Nevertheless, Richter's film Rhythmus 21 is considered an important early abstract film.
From 1923 to 1926, Richter edited, together with Werner Gräff and Mies van der Rohe, the periodical G. Material zur elementaren Gestaltung. Richter wrote of his own attitude toward film: "I conceive of the film as a modern art form particularly interesting to the sense of sight. Painting has its own peculiar problems and specific sensations, and so has the film. But there are also problems in which the dividing line is obliterated, or where the two infringe upon each other. More especially, the cinema can fulfill certain promises made by the ancient arts, in the realization of which painting and film become close neighbors and work together."
Richter moved from Switzerland to the United States in 1940 and became an American citizen. He taught in the Institute of Film Techniques at the City College of New York.
While living in New York City, Richter directed two feature films, Dreams That Money Can Buy (1947) and 8 x 8: A Chess Sonata in 8 Movements (1957) in collaboration with Max Ernst, Jean Cocteau, Paul Bowles, Fernand Léger, Alexander Calder, Marcel Duchamp, and others, which was partially filmed on the lawn of his summer house in Southbury, Connecticut.
Richter was also the author of a first-hand account of the Dada movement titled Dada: Art and Anti-Art.
From Wikipedia, the free encyclopedia
Richter's first contacts with modern art were in 1912 through the "Blaue Reiter" and in 1913 through the "Erster Deutscher Herbstsalon (de)" gallery "Der Sturm", in Berlin. In 1914 he was influenced by cubism. He contributed to the periodical Die Aktion in Berlin. His first exhibition was in Munich in 1916, and Die Aktion published as a special edition about him. In the same year he was wounded and discharged from the army and went to Zürich and joined the Dada movement.
Richter believed that the artist's duty was to be actively political, opposing war and supporting the revolution. His first abstract works were made in 1917. In 1918, he befriended Viking Eggeling, and the two experimented together with film. Richter was co-founder, in 1919, of the Association of Revolutionary Artists ("Artistes Radicaux") at Zürich. In the same year he created his first Prélude (an orchestration of a theme developed in eleven drawings). In 1920 he was a member of the November group in Berlin and contributed to the Dutch periodical De Stijl.
Throughout his career, he claimed that his 1921 film, Rhythmus 21, was the first abstract film ever created. This claim is not true: he was preceded by the Italian Futurists Bruno Corra and Arnaldo Ginna between 1911 and 1912 (as they report in the Futurist Manifesto of Cinema), as well as by fellow German artist Walter Ruttmann who produced Lichtspiel Opus 1 in 1920. Nevertheless, Richter's film Rhythmus 21 is considered an important early abstract film.
From 1923 to 1926, Richter edited, together with Werner Gräff and Mies van der Rohe, the periodical G. Material zur elementaren Gestaltung. Richter wrote of his own attitude toward film: "I conceive of the film as a modern art form particularly interesting to the sense of sight. Painting has its own peculiar problems and specific sensations, and so has the film. But there are also problems in which the dividing line is obliterated, or where the two infringe upon each other. More especially, the cinema can fulfill certain promises made by the ancient arts, in the realization of which painting and film become close neighbors and work together."
Richter moved from Switzerland to the United States in 1940 and became an American citizen. He taught in the Institute of Film Techniques at the City College of New York.
While living in New York City, Richter directed two feature films, Dreams That Money Can Buy (1947) and 8 x 8: A Chess Sonata in 8 Movements (1957) in collaboration with Max Ernst, Jean Cocteau, Paul Bowles, Fernand Léger, Alexander Calder, Marcel Duchamp, and others, which was partially filmed on the lawn of his summer house in Southbury, Connecticut.
Richter was also the author of a first-hand account of the Dada movement titled Dada: Art and Anti-Art.
From Wikipedia, the free encyclopedia
Known For
Filmography
| 2004 | René Deltgen - Der sanfte Rebell · as Cast |
| 1982 | The Confessions of Felix Krull (TV Series) · as Müller-Rosé |
| 1980 | V nachale slavnykh del · as Cast |
| 1978 | Heidi (1978) (TV Series) · as Turmwächter |
| 1976 | Ein Fall für Stein (TV Series) · as Kommissar A.d. Krauss |
| 1975 | Special Section · as Le Général Otto Von Stülpnagel |
| 1970 | Die Feuerzangenbowle · as Dr. Brett |
| 1967 | Glorious Times in the Spessart · as Toni |
| 1963 | Unsere tollen Nichten · as Dr. Heribert Wippel |
| 1963 | The Black Cobra · as Inspektor Knecht |
| 1963 | Das Kriminalmuseum (TV Series) · as Barkeeper |
| 1963 | Sing, aber spiel nicht mit mir · as Komiker |
| 1962 | Dance with Me Into the Morning · as Privatdetektiv |
| 1962 | Drei Liebesbriefe aus Tirol · as Peter Zwanziger |
| 1961 | Geliebte Hochstaplerin · as Steward |
| 1961 | Davon träumen alle Mädchen · as Referent Mayer |
| 1961 | Ach Egon! · as Behnke |
| 1960 | The Haunted Castle · as Jockel |
| 1960 | Wenn die Heide blüht · as Peter |
| 1960 | The Young Sinner · as Müller |
| 1959 | Dream Revue · as Ferdy Nuschler, Pressefotograf |
| 1959 | The Blue Moth · as Regisseur Olten |
| 1958 | The Muzzle · as Maler Ali |
| 1957 | Das Herz von St. Pauli · as Moses |
| 1956 | Schwarzwaldmelodie · as Aribert |
| 1955 | Liebe ist ja nur ein Märchen · as Fritz Keller |
| 1955 | Danger Flight 931 · as Fred |
| 1954 | The Little Czar · as Boris |
| 1953 | Rote Rosen, rote Lippen, roter Wein · as Alfred Berg |
| 1952 | Cuba Cabana · as Billy |
| 1952 | Am Brunnen vor dem Tore · as Hans, Landstreicher |
| 1952 | 1. April 2000 · as Reporter |
| 1952 | Saison in Salzburg · as Werner Mack |
| 1951 | In München steht ein Hofbräuhaus · as Hermann Busch |
| 1951 | The Heath Is Green · as Hannes |
| 1951 | Whirled into Happiness · as Antonio Vicente |
| 1951 | Schön muß man sein · as Walter Schippe |
| 1951 | Durch dick und dünn · as Schindler |
| 1950 | Absender unbekannt · as Dr. Alfred Braun |
| 1950 | Export in Blond · as Artist Freddie |
| 1950 | The Black Forest Girl · as Theo Patzke |
| 1950 | Auf der Alm, da gibt's ka Sünd' · as Paul Wittke, Fotoreporter |
| 1949 | Kätchen für alles · as Herbert John |
| 1949 | Die letzte Nacht · as Willem, Ordonnanz |
| 1948 | |
| 1944 | The Punch Bowl · as Rosen |
| 1943 | |
| 1943 | Der kleine Grenzverkehr · as Detlef |
| 1940 | Unser Fräulein Doktor · as Heinz Müller, Primaner |
| 1940 | The Fox of Glenarvon · as Robin Cavendish |
| 1940 | Herz - modern möbliert · as Regissør |
| 1940 | Ein Leben lang · as Notar |
| 1939 | Ein hoffnungsloser Fall · as Student |
| 1939 | |
| 1938 | Die Nacht der Entscheidung · as Pedro |
| 1938 | Storms in May · as Hein Andresen |
| 1938 | Under Sealed Orders · as Dagor Khan |
| 1937 | Two Merry Adventurers · as A Clever Boy From Berlin |
| 1937 | Vor Liebe wird gewarnt · as Alex Palme |
| 1936 | Das Hofkonzert · as Gefreiter Veit |
| 1936 | The Girl Irene · as Philip |
| 1936 | Women's Paradise · as Fritz, Laufbursche |
| 1936 | A Hoax · as Manz, Liftboy 'hotel Kronprinz' |
| 1936 | Traumulus · as Primaner Franz Graf Von Mettke |
| 1935 | Pygmalion · as Jonny |
| 1935 | Großreinemachen · as Tommy |
| 1935 | |
| 1934 | Peter · as Hobby, Apprentice |
| 1934 | Die englische Heirat · as Tuck Mavis, Ihr Jüngster Enkel |
| 1934 | Frühjahrsparade · as Fritzi |
| 1934 | Das Blumenmädchen vom Grand-Hotel · as Tommy, Ein Straßenjunge |
| 1933 | |
| 1933 | Three Bluejackets and a Blonde · as Fritz |
| 1933 | S.O.S. Iceberg · as Amateurfunker |
| 1933 | Our Flags Lead Us Forward · as Franz |
| 1933 | Love Must Be Understood · as Hotel-Page |
| 1933 | The Burning Secret · as Fritz, Page |
| 1931 | Emil and the Detectives · as Fliegender Hirsch |