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American Gods
Git Gone
Directed by
Craig Zobel
TV-MA
S1 • E4
May 21, 2017
56m
7.9
6.9
Add Show to Watchlist
Alternating between the past and the present, Laura’s life and death are explored—how she met Shadow, how she died, and how exactly she came to be sitting on the edge of his motel room bed.
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Where to Watch American Gods - S1 • E4
Tubi TV
Free
Amazon Video
Free
Apple TV
Buy $1.99
Google Play Movies
Buy $2.99
Cast of Git Gone
Ricky Whittle
Shadow Moon
Ian McShane
Mr. Wednesday / God Odin
Emily Browning
Laura Moon
Pablo Schreiber
Mad Sweeney
Yetide Badaki
Bilquis
Crispin Glover
Mr. World
Bruce Langley
Technical Boy
Betty Gilpin
Audrey
Dane Cook
Robbie
Kristin Chenoweth
Easter
Demore Barnes
Mr. Ibis
Craig Zobel
Director
Bryan Fuller
Teleplay
Michael Green
Teleplay
American Gods - S1 • E4 Ratings & Reviews
Gadgets360
Akhil Arora
... the show toppled that format for an hour-long look at the life of a depressed, hurting, lonely and a confused young woman, both before and after her untimely death.
Tell-Tale TV
Drew Koenig
For the most part, Git Gone works far better than it has any right to.
Slashfilm
Vanessa Bogart
The humor was refreshing. This episode acted as a palate cleanser for what is sure to be a fast-paced second half of the season.
Decider
Joe Reid
But [Emily Browning] do it as a person that the audience now has some real investment in. Laura Moon was a part of Shadow in the American Gods novel. Laura Moon is a woman I care about on the TV show.
Decider
Sean T. Collins
Once again, [Betty Gilpin is] magnificent, a live wire of grief, anger, and bitter black humor. Her eyes seem perpetually red and wet, like she's immediately to one side or the other of a nasty crying jag.
International Business Times
Amy West
Its strongest instalment yet.
Birth.Movies.Death.
Amelia Emberwing
Despite the episode's flaws, it also gives a pretty solid look at depression without going out of its way to call it out or make it seem out of the norm.
The Daily Dot
Gavia Baker-Whitelaw
Laura isn't aspirational, but it's weirdly refreshing to see such a messy female character in a male-dominated show.
Black Girl Nerds
Kyndal Wilson
Laura is great at manipulating people to get them to do what she wants them to do--in life and in death.
Starburst
Michael Coldwell
This episode puts the main storyline on the back burner for a week to make sense of all this.
Slant Magazine
Chuck Bowen
"Git Gone" playfully refutes our expectations of American Gods, opening on Egyptian wall paintings and leading one to assume that the show's traditional god-centric prologue will be set in Egypt.
Observer
Vinnie Mancuso
One of the cooler aspects of "Git Gone" was how differently Ricky Whittle plays Shadow with and without Laura in his life.
Paste Magazine
Rae Nudson
By telling Laura's origin story with empathy and humor, American Gods proves it can tell women's stories, too.
Den of Geek
Kayti Burt
Laura is given a voice of her own in the American Gods TV show and the larger American Gods story is better for it.
Screen Rant
Kevin Yeoman
"Git Gone" is entirely focused on a single character and the effect on the series' storytelling is a dramatic one, to say the least.
Guardian
Paul MacInnes
Well, my friends, that was a piece of bravura television.
Entertainment Weekly
Devan Coggan
Not only does "Git Gone" move the plot forward, filling in some of the gaps from the past several episodes, but it serves as a striking portrait of one lonely woman.
AV Club
Emily L. Stephens
All this blending -- of story, of genre, of tone -- makes "Git Gone" a little choppy, and not all its elements mingle effortlessly. But overall, it's a fun, well-paced piece of invention, expanding minor characters from the novel.
SFX Magazine
Zoe Delahunty-Light
This episode is all about Laura, and it's about damn time.
New York Magazine/Vulture
Oliver Sava
The best part about "Git Gone" is that it makes it even harder to predict where American Gods will go next.
Watch American Gods - S1 • E4 Videos
American Gods: Git Gone
American Gods: Git Gone
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American Gods: It's Over
American Gods: It's Over
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