Crash Course: Literature
Season 2
John Green argues that reading is about effectively communicating with other people. Unlike direct communication, writers have to communicate with strangers, through time and space. So how's that going to work?
Where to Watch Crash Course: Literature • Season 2
9 Episodes
- Love or Lust: Romeo & Juliet and The Great GatsbyE3
Love or Lust: Romeo & Juliet and The Great GatsbyIn which John Green continues with Shakespeare's ROMEO and JULIET, examining whether they were truly in love or just a pair of impulsive teenagers. In part two, we'll shift gears to F. Scott Fitzgerald's Jazz Age classic THE GREAT GATSBY, looking closely at the novel's rich symbolism. - Slaughterhouse-Five and a Dash of DickinsonE4
Slaughterhouse-Five and a Dash of DickinsonIn which John Green discusses Kurt Vonnegut's most famous novel, SLAUGHTERHOUSE-FIVE. John explores how the book functions as an anti-war novel, the idea of free will and PTSD. Following, we examine the life and poetry of Emily Dickinson, and how her poems have remained relevant over the decades. - Their Eyes Were Watching God and Invisible ManE7
Their Eyes Were Watching God and Invisible ManIn which John Green reads Zora Neale Hurston's novel, THEIR EYES WERE WATCHING GOD, and how interpretations of the book have changed over time. In part two, we're reading INVISIBLE MAN, Ralph Ellison's novel about the Black experience in America following WWII. - Lord of the Flies and CandideE9
Lord of the Flies and CandideIn which John Green reads William Golding's LORD OF THE FLIES and disagrees with the novel's central thesis: that everyone has evil in their hearts. In part two, John takes us through Voltaire's Enlightenment novel CANDIDE, a story about the unattainability of best of all possible worlds.